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Witchcraft

WELSH WITCHES

Narratives of Witchcraft and Magic from 16th and 17th Century Wales

Richard Suggett

1st 2018 254pp Atramentous Press. Illustrated. Pictorial boards, no dust wrapper as issued. Authentic accounts of witchcraft accusations in sixteenth- and seventeenth-century England and Wales are rare. There is of course a sensational pamphlet literature based on witchcraft trials but this source can be problematic, especially as the trial documents have disappeared. However, a rich archive of pre-trial documents relating to witchcraft accusations has been discovered in the records of the Court of Great Sessions of Wales. These unique documents are the complaints of those who believed themselves bewitched, the depositions of witnesses, and the examinations of suspected witches. The Court of Great Sessions had the power of life and death and sent many convicted felons to the gallows. We know exactly when the first prosecution for murder by witchcraft took place in Wales. In 1594 Gwen ferch Ellis of Denbighshire was tried for felonious witchcraft, found guilty and sentenced to be hanged. This case was something of a cause celebre. Remarkably the record survives of Gwen’s interrogation by the bishop of St Asaph as well as the depositions of her accusers. Written evidence survives from some 20 cases and these documents are printed in full for the first time. These texts reveal remarkable details and personalities that have remained hidden in the documentary record for over 300 years. In these cases we encounter cursers and healers, practitioners of image magic and love magic, confidence tricksters and believers in fairies. The book has a comprehensive introduction and detailed commentaries on the cases. There is a definitive list of prosecutions with abstracts of indictments. A calendar of slander cases involving accusations of witchcraft provides a glimpse of witchcraft accusations that never resulted in prosecution as well as an insight into the vocabulary of witchcraft. The study makes a vital contribution to the understanding of witchcraft beliefs in one of the ‘dark corners’ of the British Isles. £55.00

THE WITCHING OTHER

Peter Hamilton-Giles

1st 2017 160pp Atramentous Press. Evergreen colorset dust jacket, two colour foil block, red and gold, foil block to front case, head and tail bands, Napura endpapers bordering 100 gram munken cream paper, ribbon. Ltd. ed. 891 copies.

Explorations and Meditations on the Existential Witch. To propose there is something ‘other’ to the witch might seem counter-intuitive, especially so since conjugating the witch into witching suggests particular agentive actions and decisions have already been made about the topic. One where the action of witching is then further hyphenated with the other must then result in increasing this level of obfuscation to new heights. Yet in Peter Hamilton-Giles’ most explorative book to date he suggests by explicating the Witching-Other a wholly new and more profound way for understanding the witch is revealed, one which opens up the possibility for establishing an altogether more intimate and innovative relationship. This has the potential to liberate the witch icon from the shackles of history and practitioner narratives, and because of this Hamilton-Giles has preferred to concentrate on metaphysical absences than physical presences. Why this is an important re-directive proposition is that it allows individuals to move towards creating an identity which does not necessarily rely on historical location or accounts alone, but rather looks to the person’s ability to unfix or unsettle the taken for granted so as to discover progressive ways for developing a new rationale about the witch. £45.00

STANDING AT THE CROSSROADS

Peter Hamilton-Giles

1st 2018 182pp Atramentous Press. Illustrated by Carolyn Hamilton-Giles. Burgundy Buckram. Two colour foil block to front and back, with single colour foil block to spine. Limited edition 333 copies, hand numbered and signed by the author. Truth is based on censoring that which might undermine alternative rationales, and so it is with how the existential witch has been accommodated by practitioners as the icon for folk based practices. Typically this stereotypical inclusion has up to now involved the appropriation of the most revered historical opposition to Christian patriarchy i.e. the witch, so that he or she might become a conduit for justifying rationales for qualifying alternative occult belief systems. Challenging the common consensus on engagement, we find Peter Hamilton-Giles in Standing at the Crossroads: Dialectics of the Witching-Other addressing ongoing silences embedded within the connectivity being felt towards the existential witch. Appealing to novices and experienced veterans of witchcraft alike this work casts a new light on the conditions informing how we come to embrace the witch. At the same time this work should not be regarded as offering a simple explanation, for this most insightful book adopts an advisory position on how practitioners should engage with the witch. It goes about achieving this by addressing how interaction, based on apprehension and perception, informs the understanding of the subject by interjecting the motif of Otherness. £50.00

SOCIETY OF THE HORSEMAN’S WORD

Various

1st 2009 184pp Society of Esoteric Endeavour hardback in dustwrapper. Frontis. & illustrations.

This clandestine esoteric society flourished amongst ploughmen in Scotland from the end of the 18th Century until the early 20th. Its members were believed to have supernatural control over horses, and also women and were also associated with witchcraft. This book takes the reader on a journey into the mysteries of the brotherhood. We learn from the disapproving pen of the one Scottish ploughman who left a substantial written record that his work mates drank hard, played hard and chased women. A ranting, hostile exposure is reproduced which is actually really instructive, providing what appears to be a 17th Century version of the ritual, very different from the full version. Then follows some surprisingly informative newspaper accounts written by members, an early (ranting but useful) exposure, an eyewitness account, relevant folksongs sung by the ploughmen and then the ceremony and lore of the Society.

The ceremony, which has never been previously published, is a surprise, as are the teachings of the Society. The ritual shows a transformation of freemasonry to the nature of ploughing with horses. The legend of Solomon's temple is replaced with references to Hercules and other figures from Greek mythology as well as Gabriel, Lucifer and Old Nick, the classical references sometimes being very well informed. Also incorporated are folk traditions about the domestication of horses.  It could be an extreme experience, being very rough, physically arduous and potentially very scary, involving an encounter with the Devil and mock execution. In the earliest form of the ritual Adam, after the fall, is given as the originator of ploughing, an important gives Cain and in the secret rituals and teachings it is Tubal Cain who, it is said, was the first horseman though he, we are told, was instructed by a woman! An appendix explores the nature and significance of Tubal Cain and his relevance to ploughmen, finding expressions of rebellion against the status quo. Whilst one comes to understand why the horseman's word was associated with control of horses and power over women, true mysteries emerge. £25.00

THE DEVIL’S SUPPER

Shani Oates

1st 2017 276pp Anathema Publishing h/b. Bamberger Kaliko “Metallic Graphite” bookcloth, blind deboss on cover, silver foil stamp on rounded spine, colour interior, and Neenah Red and Leno embossed endpapers. Illus. by Lupe Vasconcelos (also featuring numerous historical B&W art pieces), printed on Cougar Natural 160M archive-quality paper. Ltd. ed. 500 copies.

The Devil’s Supper is a critical enquiry into popular culture, past and present. The text explores the myths and realities of the so called Witches Sabbat. Using trial depositions , source documents, contemporary poems and literary accounts, a hidden history is unfurled, offering a totally unique understanding of this occulted enigma. From Fasting to Feasting, the mystery of ritual, sacred Vessels of Transformation is exposed. The myriad masks of the Devil are fully removed, layer by layer in celebration of his multi-faceted and ingenious complexities. Along the way, we explore the philosophical and theological enquiries that have long held us in their thrall. We tackle the weighty topics of evil, who the Devil really serves and how this impacts upon the true virtue of the Grail as panacea or poison, overturning prescribed opinion to discover the real thread that binds these enigmatic elements together and how these things are even connected within occulted custom, lore, tradition and law. £49.99

KHIAZMOS

Andrew Chumbley

1st 2017 88pp Xoanon. Illus. in colour. Letterpress dustwrapper. Ltd. ed. 727 copies.

Khiazmos articulates the paradoxical arcanum of Opposition - an essential dynamic force of Sabbatic Witchcraft - which animates the Art of Magic itself, through aphoristic formulae. Like the mystical formats of the riddle, parable, and koan, the book utilises strategies of arcane, recursive exposition to embody transcendent truths about magic, the spirit world, the stance of the sorcerer, and the Sabbat of the Witches. The living book, as conceived in the Vision of the Scribe, possessed the power to transcend its material corpus, and simultaneously wrote and unwrote itself as it was read, creating the titular absence of pages. The magical insights expressed through the various modalities of the book are borne of dream and the contemplative nexus informing the stance in the midst of the cross-ways, the projection of the Sorcerous 'I' beyond the point at the Circle's heart. In accord with the great magico-literary corpus of the Sabbatic Tradition, Khiazmos resounds with the voice of its author, in Speech and Silence, in Image and Sigil. Including ten automatic drawings by the Author in full colour, and featuring an Afterword by Frater A.H.I. and Soror I.S. of the Cultus Sabbati. £85.00

THE CUNNING MAN’S HANDBOOK

Jim Baker

1st 2014 555pp Avalonia trade p/b. Illus.

The Cunning Man’s Handbook is a monumental work of phenomenal scope and scholarship, a comprehensive and challenging exploration of the practices and beliefs of Cunning Folk in Britain and America during their heyday from 1550-1900. Exploring the social and theological milieu of the period, the author demonstrates the essentially Christian nature of Cunning practices, and presents an illuminating discourse on the concept of magic and how it was perceived as working.

Operating at the boundaries of the law and society, between medicine and magic, Cunning Men and Women occupied a liminal role as healers, charmers and magicians. Drawing from a huge range of sources, the range of services offered by Cunning Folk is thoroughly expounded, from divination through astrology and geomancy to dream interpretation, from charms, spells and curses to conjurations and treasure hunting. As Jim Baker states, “The focus here is on the practice of folk magic and divination for access to the preternatural”.

The evolution of Cunning practices as a living tradition over the three hundred fifty year span is explored in depth, illustrating their practical and contemporary nature. The analogous practices of African-American conjure and root work are also discussed to offer insights into oral fragments of Cunning practices lost to history and present another example of how modernity modifies tradition. Referring to dozens of Cunning Men and Women and their practices, this work offers a unique glimpse into magical history, and the opportunity to reclaim the essence of Cunning Magic. £29.99

WITCHES' OINTMENT

The Secret History of Psychedelic Magic

Thomas Hatsis

1st 2015 304pp park Street Press trade p/b.

Details how early modern theologians demonised psychedelic folk magic into “witches' ointments”. Shares dozens of psychoactive formulae and recipes gleaned from rare manuscripts from university collections all over the world as well as the practices and magical incantations necessary for their preparation. Examines the practices of mediaeval witches like Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations. In the mediaeval period preparations with hallucinogenic herbs were part of the practice of veneficium or poison magic. This collection of magical arts used poisons, herbs and rituals to bewitch, heal, prophesy, infect and murder. In the form of psyche-magical ointments, poison magic could trigger powerful hallucinations and surrealistic dreams that enabled direct experience of the Divine. Smeared on the skin, these entheogenic ointments were said to enable witches to commune with various local goddesses, bastardised by the Church as trips to the Sabbat - clandestine meetings with Satan to learn magic and participate in demonic orgies. Examining trial records and the pharmacopoeia of witches, alchemists, folk healers and heretics of the 15th century, Thomas Hatsis details how a range of ideas from folk drugs to ecclesiastical fears over medicine women merged to form the classical “witch” stereotype and what history has called the “witches' ointment.” Exploring the untold history of the witches' ointment and mediaeval hallucinogen use, Hatsis reveals how the Church transformed folk drug practices, specifically entheogenic ones, into satanic experiences. £14.99

MASKS AND MUMMING IN THE NORDIC AREA

1st 2007 840pp Gustavus Adolphus trade p/b. Illus. Paper wraps.

Masks and Mumming in the Nordic Area is the first detaliled introduction to the costume and disguise traditions of the Nordic area past and present. It not only analyses the nature, history and development of these customs, but also presents a number of case studies demonstrating different ways of dealing with this material. The combined work of 23 scholars from the fields of drama, folkloristics, cultural studies and ethnology, it hopes to open new doors into a field of folkloristics that has been neglected for decades. Massive volume with much interesting material. £40.00