1st 2012 Three Hands Press h/b in d/w. Illus. Ltd. ed. 1250 copies.
Veneficium concerns the intersection of magic and poison, originating in remotest
antiquity and reaching into the present day. Beyond their functions as agents of
bodily harm, poisons have also served as gateways of religious ecstasy, occult knowledge,
and sensorial aberration, as well as the basis of cures.
Allied with Samael, the Edenic serpent of first transgression whose name in some
interpretations is ‘Venom of God’, this facet of magic wends through the rites of
ancient Sumer and Egypt, through European Necromancy, Alchemy, the arcane the rites
of the Witches’ Sabbath, and modern-day folk magic.
Of particular note to this study are the herbs of the so-called ‘Devil’s Garden’,
bearing relation to the witchcraft concepts of the Graal of Midnight, the Witches’
Supper, and the Unguentum Sabbati, the flying ointment of the witches which has exerted
fascination over scholar, historians, and practitioners alike.
Beyond consideration of the toxicological dimensions of magical power, the concurrent
thread of astral and philosophical poisons are also examined, and their resonance
and dissonance with magical practice explored. Veneficium will be of interest to
students of magic, witchcraft, alchemy, botanical folklore, medicine, and occult
MYSTICISM: INITIATION AND DREAM (OCCULT MONOGRAPH NO. 1)
Andrew D. Chumbley
1st 2012 56pp Three Hands Press h/b. in d/w. Ltd. ed. 1000 copies.
We might symbolise the process of oneiric spiritualisation as a "siderealisation"
— a translation of the flesh to the stars — back to the domain of the Gudean goddess,
back to the domain of the primordial smaragdine book.
Written as an undergraduate as SOAS University of London in 2001, Mysticism: Initiation
and Dream would foreshadow the concerns of Andrew Chumbley's later doctoral research
on the transcendental nature of the magical dream. In the course of his exposition,
the concepts of the Initiatic Dream are traced to furthest antiquity, epitomized
by the participatory nature of the Mystic within the Oneiric Realm. The axiomata
of Dream Reification and Rarefaction are introduced as defining processes of this
twilight pilgrimage, both of a gnostic and illuminative character. At the time of
his matriculation, Chumbley had already established a solid reputation as an occult
author and practitioner of widely varying spiritual disciplines. His highly-acclaimed
books Azoëtia (1992) and Qutub (1995) arose not only from the solid foundation of
magical practice and theory, but also from a highly complex mystical dream-praxis,
perfected for many years. Though forming the core of his coursework, Mysticism -
together with the bulk of his SOAS essays - were written in a transcendent dialogist
style altogether in concord with the body of his occult work. Drawing upon sources
as diverse as the dream-vision of Christian saints, Sufic oneiric texts, and Bonpo
termas, Chumbley here presents an arcane cartography of the dream as the eternal
vessel for the perichoresis of matter and spirit. £34.99
THE DEVIL’S RAIMENTS: Habiliments of the Witches’ Craft (OCCULT MONOGRAPH NO. 2)
1st 2012 96pp Three Hands Press h/b. in d/w. Ltd. ed. 1000 copies.
Clad in the black robe, or daubed in black unguent as a consecration of wisdom, we
are one with the hidden and secret realm of Night, and when so enveloped become the
fertile void wherein we may receive the inspiration of the Muse or Genius.
In occult literature, the Vestments of the Art Magical are poorly understood, principally
because few save the body of initiates behold them. The robe, mask, hood, mantle,
garter, and veil, constituting the exterior arrayments of the witch, trace their
pedigree to a number of magical sources, each constituting a mystery of form and
These mystical underpinnings often possess a deeper arcanum, being both emblematic
of specified witch-powers and serving a hidden ritual purpose. In The Devil’s Raiments,
Martin Duffy examines the relationship of the sorcerer to that which clothes him,
with particular emphasis on the witch-cult. Also explored is the modern perception
of the witch as the Naked Enchantress, as well as the some of the older historical
rationales for the portrayal of nudity in witchcraft. The text is illustrated with
five original drawings by Sussex artist Steve Damerell. £34.99
MAGIC CIRCLES IN THE GRIMOIRE TRADITION (MONOGRAPH NO. 3)
1st 2012 96pp Three Hands Press h/b. in d/w. Ltd. ed. 1000 copies.
With the center of the circle as a starting point, orientation can take on precise
meaning in the context of its ritual, which was designed to secure spiritual knowledge
and material dominion in the world through the agency of spirits, stars and cabalistic
Magic Circles have been depicted in popular expressions of magic and witchcraft as
well as detailed with full rubrics in traditional manuals of magic such as the Clavicula
Solomonis or Liber Juratus. Using narrative, visual and textual material available
from European grimoires and manuscripts, the author discusses the various forms and
functions of this important piece of apparatus employed by magicians in the Western
Esoteric Tradition, including their role in providing authority and protection to
the operator, as well as examples of their use in divination and treasure finding.
Additionally, contemporary examples of the magic circle at work in modern esoteric
praxis are provided and discussed in light of the traditional approaches they exhibit.
This monograph serves to explicate this important tool of ceremonial magic and is
valuable to practitioners of the art magical with its technical data, while also
providing context in historical settings for the merely curious reader of occult
subjects. Illus. throughout. £34.99
THE CHILDREN OF CAIN
A Study of Modern Traditional Witches
2011 344pp Three Hands Press h/b in d/w. Illus. inc. colour.
The mid twentieth century witnessed the birth of popular occultism in the West, including
an interest in witchcraft. At the forefront of popular witchcraft was Wicca, a recension
of ceremonial magic and nature worship advanced by Gerald Gardner and Alex Sanders,
now widely regarded as a religion. However, lesser known streams of the witch current
thrived in the shadows, having older historical roots, and linked to an ancient body
of practice – witch bottles, knotted cord spells, curses, exorcisms, sexual magic
and charms ranging from the conjuration of angels to protection of livestock and
hearth. This was Traditional Witchcraft, whose origin in part lies with the corcery
of the cunning folk of Britain and Colonial America. Though largely avoiding the
popular occult limelight, from 1970 onward, elements of Traditional Witchcraft experienced
a partial emergence into the public through such publications as Paul Huson’s Mastering
Witchcraft, the writings of Robert Cochrane and Evan John Jones, and Andrew Chumbley’s
Azoetia: A Grimoire of the Sabbatic Craft. Based on over forty years of research
and private collaboration with practitioners, Michael Howard’s Children of Cain is
the definitive history of Traditional Witchcraft and its key operatives in Britain
and the United States. Supplemented with diverse photographs and illustrations, many
appearing for the first time, th book artfully encompasses the unique legacy of Traditional
Witchcraft – those who bear the Mark of the Exile as a sign of hidden power: the
Children of Cain. £39.99
WELSH WITCHES AND WIZARDS
1st 2009 182pp Three Hands Press trade paperback.
The widespread belief in witches and wizards in Wales reflects a land steeped in
legend and myth since ancient times. The witch’s power to harm people, livestock
and crops was greatly feared; for this reason country people consulted with so-called
‘cunning men’ and ‘wise women’ who had the power to negate their spells with counter-magic.
Cunning-folk practitioners were also consulted for love spells, to find lost property
or missing persons, exorcise ghosts and banish evil spirits. The figures of both
witch and wizard form part of a broader folk-magic continuity in Wales. This popular
belief in witchcraft bears little relation to modern neo-pagan Wicca, and there is
little evidence of its linkage to a nature religion based on a pre-Christian fertility
This book describes the historically-attested Welsh practitioners of folk magic and
witchcraft – the Dark Sisters and the Toadmen, the Druids and Wizards, the Cunning
Men and Faery Doctors – and the charms and spells they used. Also examined are surviving
pagan beliefs associated with holy wells and the cult of the sacred head, and the
mysterious and sometimes sinister ‘creatures of the night’ such as faeries, lake
monsters, dragons and Black Dogs. It will be of interest to students of the occult
and folklore, as well as those who have followed Mr. Howard’s fascinating work over
the years. £15.99
Also available. Limited edition numbered hardback, one per customer £39.99
WEST COUNTRY WITCHES
1st 2010 224pp Three Hands Press trade paperback. Illus.
In 1930 a correspondent writing to the Western Morning Post newspaper confidently
asserted “We live in an age when those old twilight beliefs are disappearing”. The
beliefs in question were various aspects of popular superstition and the supernatural
once widely accepted by people in the West Country. In response to this assertion,
a correspondent called Padely Silvanus said he lived on the border of Dartmoor and
could introduce the previous writer to a haunted bridge that nobody would cross at
night. He could also take him to a dell where faeries were still seen to dance, a
place on the moor where an earthbound spirit dwelt and caused terrible accidents,
introduce them to a well-known and universally respected lady who had seen a pixy
and heard the Wish Hounds in full cry, and take them to visit a witch in her cottage,
but at the risk of them being ‘overlooked’ (ill-wished or bewitched). Silvanus’ letter
encompassed the surviving belief in ghosts, faeries and witches that for centuries
has given the West Country its reputation as a place where the paranormal is an everyday
This second volume of Michael Howard’s Witchcraft in the British Isles series examines
the sorcery and witchcraft of Devon, Cornwall, Somerset, Wiltshire and Dorset. Rich
in magical lore and folk traditions, the West Country has always had an aura of mystery
and magic, reflected in the various races and their spiritual beliefs who have occupied
it down the centuries. £15.99
Also available. Limited edition numbered hardback, one per customer £39.99
THE LEAPER BETWEEN
1st 2012 Three Hands Press trade paperback.
"You ketch a hopping toad and carry that in your bosom till that's rotted right away
to the back-boon. Then you take and hold that over running water at midnight till
the Devil he come to you and pull you over the water… and then you be a witch and
you kin dew all mander of badness to people and her power over 'em."
So spoke Tilly Baldry of Huntingtoft, an English wise-woman of the 19th century,
describing the ritual of obtaining the witches amulet known as the toad-bone. Known
to rural folk magicians and secret societies such as the Society of the Horseman's
Word, the exacting ritual of killing a toad to obtain the bone of power has been
documented in various forms and cultural milieus for two millennia, though its origin
is likely far older. Focusing on extant forms in Britain and Europe, Chumbley traces
the metamorphosis of the toad-bone amulet from its beginning as a talisman for controlling
animals to its ultimate manifestation as a conduit of diabolic power of the 'Toad-Witch'.
The first academic study of this little-known aspect of folk magic, The Leaper Between
is here presented in unabridged form, newly typeset in several fine bindings worthy
of its fascination. It will be of interest to students of comparative religion, magic,
and folklore alike. £12.99
EIKOSTOS, a Greek word meaning ‘Twentieth’, is a complete historical bibliography
of the first two decades of Xoanon Limited. Fully illustrated in colour and black
and white, it details the history, specifications and arcana of each Xoanon title.
The text draws upon previously unpublished images, texts and correspondence to embody
the patterning of magical emanation crucial to the manifestation of the XOANON corpus.
Also included are notes on critical reviews, rare and privately published magical
volumes, ephemera, and forthcoming works by the initiates of the Cultus Sabbati.
1st 2013 248pp Three Hands Press h/b in d/w. Printed in two colours. Prof. illus.
throughout by Liv Rainey-Smith. Ltd. ed. 1400 copies.
Written in the great tradition of the medieval bestiaries, Robert Fitzgerald's long-awaited
new work Arcanum Bestiarum re-imagines the animal menagerie in the context of bestial
mystery and atavistic power. Written for the modern magical practitioner and zoophile,
the 272-page volume examines the occult virtues and totemic majesties of fifty animals,
theriomorphs, and their kindred. Correspondences with deific powers, atavistic wisdom,
and mythopoetic emanation are examined, especially in light of the tutelary powers
all animals possess.
The Tetramorph – essentially an animalic ‘crown of creation’ – is here transformed
into the far broader and innovative concept of the ‘Theriomorph’, or, the Zodiak
Entire of Creation as an apotheosis of the animal form and zoötype… One of the greatest
of virtues possessed by the Human is its bestial heritage, both spiritually and genetically.
These attributes are often seen as primitive, chaotic and dangerous to civilized
culture by the custodians of moralism and religion today, but the fact remains that
it is our animal heritage that makes us what we are, or, more accurately, what we
should and can be.
Special attention is given to the zoomorphic aspects of alchemy, which historically
used the bestial emblemata as veils of the stages of the Great Work, as well as shamanism
and witchcraft, bodies of knowledge particularly rich in the lore of animals as spirit-helpers.
The work is an emergent strand of magical investigation long part of the author’s
private life, where he has worked in the ecological field of wildlife rehabilitation,
The text is graced with fifty-five original woodcut illustrations by artist Liv Rainey-Smith,
prepared especially for this title in close collaboration with the author. Amongst
the more ambitious renderings in the work are the occult cryptofauna Homunculus,
Manticore, Ouroboros, and Basilisk, as well as animals prominent in the ancient dawn
of magick: the Bear, Goat, Viper, Peacock, and more. Completing the design elements
is an original typeface designed for the work by calligrapher Gail Coppock, serving
to illuminate this grimoire of the Magician’s Primal Eden. £49.99
CLAVIS ISSUE 1
CLAVIS is a journal of the advanced occult disciplines, produced by esoteric publishers
Ouroboros Press and Three Hands Press.
Contents for issue 1: Cover Art by Thomas Allen Kopera, Shaddai's Gate by Frater
A.I., Nebiros Et Ars Necromantica by Johnny Jakobsson, One Beyond Twelve: The Thirteenth
Spirit, Judas and the Opposer by Martin Duffy, Beyond the Paths of Frustration: Daath
Gnosis by Craig Williams, Diablo Stigmata by Daniel Schulke, The Vision of George
Ripley Illustrated by Joseph Uccello, The Grosvenor Grimoire, an Ashmolean Manuscript,
Visionary Artwork by Rima Staines and Sasan.
LARGE FORMAT PAPERBACK £32.99
SCOTTISH WITCHES AND WARLOCKS
1st 2012 Three Hands Press.
In the village of at Cullen in Forfarshire, an arrest warrant was served in January
1657 for one Margaret Philp, accused of practicing witchcraft. Her servant, Isobel
Imblaugh, testified she had seen her mistress have dealings with a spirit taking
the form of a talking hare. Imblaugh said she had seen Philp put out a bannock, a
jug of beer and a piece of meat for the sprite, and the next morning all was gone.
On another occasion the spirit-hare allegedly entered the house through an open window
and drank beer left out for it in a bowl. Far from an isolated account, magical traffic
with such spirits was well-documented into the 19th century, when Highlanders left
offerings of milk at prehistoric burial mounds and standing stones for the faeries
known as brownies. Magical intercourse with fairies was but a small part of Scottish
witchcraft belief, which also held that witches stole milk from their neighbor’s
cows, raised storms to drown those at sea they disliked, produced wasting diseases
to make their enemies fall ill or die, keep a baby inside its mother’s womb beyond
her normal term, and transform themselves into animal forms so they could roam the
countryside causing mischief and mayhem.
Scottish Witches and Warlocks examines the folk beliefs and magical practices of
early modern Scotland, constellated especially around witchcraft. Treating matters
of spirit-conjuring, herb-magic, and the Diabolical pact itself, it includes accounts
of such peculiar personages as Isobel Gowdie, the Aberdeen Witches, Dr. John Fian
and the North Berwick coven, Sir Robert Gordon of Gourdeston, and the Witches of
Auldearn. Containing a number of illustrations, it is the third book in Michael Howard's
Witchcraft in the British Isles series.